This week for Part 2 of our Virtual Quilting Bee, we’re going to talk about choosing fabric.
Jeni Baker has also written a phenomenal and much more in-depth whole series about choosing fabric called the Art of Choosing. Everything from color to organizing and building a stash. It’s excellent and contains much more detail. I highly recommend it.
Now that you have those places to go as great references, I’ll talk a little about my own process of choosing fabrics for a quilt – specifically a sampler quilt like we’re making as part of this quilt along. I’ll show some examples from my last sampler quilt.
If we had to boil it down, there are two main things to remember when choosing fabric: Color and Scale.
Choosing a color scheme:
This is one of my favorite parts of creating a quilt. I love playing with color – which is probably why I’m always wanting to make something new: so I can play with new colors. I know for some people this can be tricky. Jeni’s series has some great suggestions for choosing color.
Here are some good places to start:
Find a focus fabric and choose your color scheme based on that fabric. When making a baby quilt for my sister a few years ago, she really liked this jungle print by Alexander Henry, so we used that as the jumping off point for the rest of the fabrics. We pulled fat quarters off the shelves of a local quilt shop just based on the colors of the focus fabric. If you look at the finished quilt, notice that the colors aren’t all the exact same shade of green, brown, etc. We used different shades, but stayed with the same tone (as in olive greens, warm browns, etc). For example: even though we’re using green, it would have looked off to throw in a cool, mint green.
I try to keep my colors the same vibrancy, such as warm or cool colors. Really clear, bright hues or dusty, muted hues. But sometimes I’ll break the rules. Last summer I made my daughter a purple quilt for her birthday. I don’t have a lot of purple in my stash so I cut up whatever purples I had -be they cool or warm shades – and threw them into the same quilt. And I’m happy with how it turned out. The different shades can give a lot of visual interest. A few other colors – in this case a sprinkling of pale orange, pink, and green – add a little more interest to a mostly monochromatic color scheme.
If you really feel stumped, go with a pre-made collection from one of the quilting manufacturers. Most collections are purposely created with a cohesive color scheme and a variety of prints in different sizes and scales. That’s why they do that! And if you want to experiment along the way, pull in a few prints from other collections (new of from your stash) in the colors of the collection you are using.
Lots of shops – both brick and mortar or online – will also carry pre-bundled groups of fabric. Watch for those as well if you want a kick-start.
Don’t be afraid to ask for opinions/help. Any independent quilt shop worth it’s salt, will have helpful staff who can help you in your selection. You could also ask for opinions from a local quilt guild or trusted friend. Having a real live person who can look at your choices and give feed back is so helpful. Occasionally I have people email me for help with choosing fabrics, and it’s so hard to do over the internet. I always suggest doing it with a real live person so you can try out different combinations and edit together.
When asking for help, give them a place to start. I know from working in a quilt shop how overwhelming it felt when someone would walk in and say, “I want to make this quilt, but don’t know what fabric to use…” I had no idea what their color or style preferences were. When that happened I would always say, “Walk around the shop and pick out 2 or 3 bolts that ‘speak to you’ and then I’ll help you choose fabrics that would go with them,” just to give me a sense of their preferences.
Working with SCALE:
For a quilt to look balanced and interesting (note I didn’t say perfect) a variety of scales (sizes) of prints can make a big difference. For the quilt above I really wanted to use some of those big Ann Kelle novelty prints, but I needed to off-set them with smaller dots and ginghams so that the big prints would stand out and not look too frenetic overall.
Quilting fabric has changed over the years, but especially over the past decade. At one point fabric for quilts consisted of mostly small prints (think calicos). Now designers have created gorgeous large-scale prints that are useful not only for quilting, but for garments, bags, aprons, etc. They also can add a lot of visual interest to quilts. The problem comes when you add those large scale prints with out any contrast. Our eye needs a place to rest to break up those big prints. A variety of scales (sizes) can help with that balance. (See the Beginning Quilting Series fabric post for more details)
Another way to break up busy prints is by using a solid. This quilt made from prints in Amy Butler’s Soul Blossom’s collection is an example where even just some white sashing breaks up the large scale colors and prints of the collection so that you can see the individual prints.
Even when creating your blocks, I like to use high-contrast colors and different scales of prints to create interest. These blocks were all made for the last sampler quilt.
When I was working on the blocks for this Block of the Month project, I choose my colors and prints and kept them together in one place so that I could pull from them to make a quick block. As we begin this quilt-along you may want to gather your fabrics together into one box or shelf so that you can play with combinations of colors and prints as you make each block.
Final thoughts on choosing fabric in general: Don’t let it stress you out. Yes, it takes practice, but just go for it. The more you try, the more you will like what you do. Have faith in yourself.
THIS QUILTING BEE:
Now, here’s the tricky part of this project. The blocks in this sampler quilt are being created by 16 different people over the next 8 months. I have no idea what they’re going to look like, so this is going to be a little bit of a mystery quilt! All I know is that they’re going to create an 8″ block. I’m sending them a little bit of fabric to use so that there will be some cohesive look, but I’ve also told them they can use their stash for this project so they may pull in fabrics that aren’t part of the collection.
So even if you order a fabric bundle of Happy Go Lucky or Kona Solids to use for this project, be forewarned that there may be a few prints or solids in these blocks that are not part of your ‘kit’. Don’t let that stress you out! Use that opportunity to stretch yourself – maybe even get outside your comfort zone – and pull something from your own stash or scraps or a friend’s scraps. Make this quilt your own!
Remember: we’re all in this together, and the goal is to learn, expand our repertoire, and get out of our comfort zones along the way.
BEE FABRIC REQUIREMENTS:
I’ve had many people ask about fabric requirements for this project and coming up with an answer has been a little bit scary for me. Remember there are going to be two versions of this quilt – one out of prints, and the other out of solids (obviously you don’t need to make both versions). The over all design of each version will require slightly different yardage requirements. Again, because I don’t know exactly what the blocks will be I can’t give exact measurements. But here is my best guess:
24-30 Fat ⅛ pieces (11″ x 18″) or 12-15 Fat Quarters should be enough for getting started on the quilt blocks themselves and have yardage for the setting triangles as well for the prints version. (A Layer Cake (collection of 42 10″ squares) may be enough for the blocks, but you will need additional fabric later on for the setting fabrics, sashing etc.
If you are going to use solids I would recommend: A bundle of 24 fat ⅛th pieces. (Three shades of red, three shades of orange, three shades of yellow, three shades of warm green (limeish), three shades of cool green(mint, teal), three shades of aqua/turquoise, three shades of royal/denim/navy blue, three shades of purple). The shades of each color would have to be light, medium, and dark with enough contrast that if they are all used in the same block, they would show up as distinct shades.
I will share yardage requirements for finishing the quilt as we get closer to finishing the blocks. I’m personally hesitant to pic fabrics for the sashing, borders, etc. until I start seeing the blocks!
Do not feel like you need to use the fabrics listed above. If you’ve got stash, use it! If you want to choose your own colors, do it! That’s the whole purpose of this fabric-choosing-post. Make this quilt your own. Use it to stretch yourself, at whatever level you’re at.
And most of all, let it be fun – not stressful. Choosing fabric really can be the such a fun part of making a quilt. Don’t become too worried about rules, or collections, or – let it be an expression of your own personality.
If you have other tips, or links to great fabric-picking posts, please add them in the comments!